Why FluxFusion TV?

Instant TV Film Distribution

FluxFusion was created to help you access the premium platforms and gives a voice to Content Creators

FILMMAKERS/CREATORS

MARKETING/SOCIAL MEDIA

CROWDFUND

GET FUNDED

WHY FLUX TV?

WE ARE A PEOPLES TV NETWORK

DEVLOPMENT

Taking concept to script is what we do best.

With our Hollywood Professional relationships we can find you the perfect match for your project.

FINANCE

We Finance our selected projects with our vetted investors. We only work with the most qualified individuals.

We also run a fan crowdfunded

DISTRIBUTE

FluxFusion TV showcases select filmmakers -creators to our worldwide network of over 1 billion people.
We can also provide Theatrical and Streaming distribution

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Why FLUXFUSION TV

FluxFusion TV was conceived as a solution to several persistent complaints from filmmakers and other creative rights holders about distributors in general and aggregators in particular. ("Aggregator" is the term used for a company that acts as a
gatekeeper between a rights holder and a retail platform, such as iTunes, Amazon, or Cable VOD operators like Comcast,
Time Warner, etc.)

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How do I sell my project?

Making feature films, short films, series, documentaries, music, content, takes a lot of work. You have accomplished something most people only dream about ... And now that production is over, you and I both know you're asking yourself one important question:

"How am I going to sell my finished project?" Get ready to meet a middle man "Aggregator"

With FluxFusion we cut that cost more than half and offer freedom to creators.

If you are interested in accessing premium platforms like iTunes, Amazon, Cable, Google Play, Roku, Alexa, and others including the VOD options of all major cable providers, you will have to work with a distributor or aggregator. Many distributors and aggregators work on a revenue-share basis. They get your content onto popular platforms. Then these
companies keep between 15% and 50% of any money your content makes over the length of the deal. Signing away ownership of your content makes sense if a you get a really awesome deal. The problem comes when, in many cases, the distributors just deliver the materials to the digital platforms and move on. Now, evaluating and encoding content, passing it through quality control (QC) and delivering it according to the channels and demands of the popular platforms is valuable. But we don't think you should have to give up a percentage of ownership just to have this done.

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THE MIDDLE MAN

Another thing you have to watch out for are distributors and aggregators who participate in "creative accounting." Go to any film festival and you'll probably hear stories about filmmakers who got ripped off. Or they ended up paying a gazillion dollars
for phantom marketing expenses or deliverables. To counteract all these creative accounting shenanigans, FluxFusion
created a transparent pricing model that allows you to pay only for the VOD platforms you want, and to track your sales as
they are reported by those platforms. With FluxFusion, you pay once to distribute your film to only the platforms you want.
You then enjoy the benefit of your film's success, as we continue support with sales reporting and your quarterly payouts.

Aggregators work on a revenue-share basis, meaning that they make money by keeping between 15% and 50% of your revenue that they collect from the retail platforms on your behalf. They take this portion of revenue for the entire term of your deal with them. The complaint from filmmakers was that while aggregators take this money "forever," they didn’t seem to be working forever. To many, it seemed that aggregators placed their film on the platforms and then moved
on.This situation was even more frustrating for larger rights holders — production companies, sales reps, etc. — who controlled the rights to several (often dozens) of titles, and who engaged in significant marketing and grassroots outreach but lacked access to iTunes, except through revenue share entities. The shared-revenue structure has continued to frustrate these larger companies as they have been the core demand-drivers. Now, in defense of aggregators, encoding a film, ushering it through Quality Control “QC” and having the access to place it on iTunes or Netflix or Hulu or Cable VOD or anywhere else is indeed a valuable service — and often a time-consuming one.However, it seemed that one could put a fair price on that service that accounted for the work and value of relationships, and offer it to filmmakers cleanly, without the burden of a revenue-share. This would enable a filmmaker, production company or other rights holder to know their cash outflow in advance, and enjoy 100% of the benefit of their film’s success. So, FluxFusion eliminated the Aggregator and put you in the drivers seat. Now you call the shots!

Understanding VOD Platforms

Now that you understand the benefits of FluxFusion, we can focus on your release strategy. Before you choose your platforms, it is important to understand that Video On Demand is comprised of several distinct categories, including TVOD, SVOD and AVOD.

Transactional Video On Demand (TVOD)
With TVOD, audiences can only watch your movie after they click a "buy now" button and transact. Some examples of popular transactional platforms include iTunes, Roku, and Google Play.

Subscription Video On Demand (SVOD)
With SVOD, subscribers sign up for a service, pay a monthly fee, and have access to unlimited programming. Popular subscription platforms include Itunes, Amazon Prime, Roku and more!

Advertisement-Supported Video On Demand (AVOD)

With AVOD, content is paid for with commercials and other forms of advertising.

FluxFusion pays filmmakers a portion of the ad revenue.

LARGE DEDUCTED EXPENSES, OFTEN FOR NON-TRACEABLE MARKETING FEES

Filmmakers complained that distributors and aggregators deducted expenses that seemed unreasonable, like $4000 for encoding, or an array of costs for marketing services that the filmmaker wasn’t sure had actually been done. Here, the opportunity was again to charge a fair price, once. So, FluxFusion adopted a fair price.

We upload your content and you keep 70% of your revenue - We keep 30% for overhead

LATE PAYMENTS, AND SOMETIMES NO PAYMENTS

Filmmakers complained that even after resigning themselves to a rev-share deal, and agreeing to the small payout left after expenses and revenue share deductions, they had to chase distributors and aggregators for reports and checks, and sometimes with none being sent at all. So, FluxFusion has decided to remove the creative accounting found with most traditional distributors. Sales reports that detail collection stats by each platform are available upon request.

NEXT MORE PAIN, MORE ANSWERS

Even a casual follower of the distribution business knows that there are plenty of areas it can be improved, and in plenty of ways. FluxFusion is continuing to actively developing new methods and models to serve rights holders across a variety of platforms, from internet to cable to mobile. With the proliferation of tools like Wordpress, Facebook, Twitter and all the plugins and apps that support those services, it’s more possible than ever for innovative companies, teams — or even individuals — to disrupt old marketing models and connect with audiences.

FluxFusion is that it’s a powerful tool to help enterprising rights holders keep the most of their own money. The more skilled you are at connecting with audience, the more buzz that you’ve built, the better FluxFusion's will work for you.

Why FluxFusion TV?

WHY FLUX TV?

DEVLOPMENT

FINANCE

DISTRIBUTE

Why FLUXFUSION TV

How do I sell my project?

THE MIDDLE MAN

Understanding VOD Platforms

Now that you understand the benefits of FluxFusion, we can focus on your release strategy. Before you choose your platforms, it is important to understand that Video On Demand is comprised of several distinct categories, including TVOD, SVOD and AVOD.

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